This report covers 254 released scripted Marvel screen productions — films, television and streaming series, miniseries, specials, direct-to-video works and shorts — dated 2005-01-01 through 2026-08-31, and 340 researched narrative or continuity links among them. Sequels dominate (105 links), followed by shared-universe ties (77), crossovers (49) and 34 explicit multiverse bridges. It is a network of separate continuities, not one timeline.
Each dot is a production or franchise named in the link evidence; node size follows link count. Toggle relationship types below; hover a node or line for the exact claim and its source. An edge records a documented connection — it does not by itself place two works in the same native universe.
All 254 productions stacked by release year, colored by stated format. "Format unresolved" means the fetched sources did not state one clearly; nothing was guessed.
Feature films, One-Shots, Marvel Studios Disney+ series and Special Presentations form the densest shared-continuity hub in the network: crossovers, recurring characters, post-credit scenes and direct follow-ups are its connective tissue, visible as the thick sequel-and-crossover mesh around the Avengers films.
Agents of S.H.I.E.L.D., Agent Carter, the Netflix/Defenders titles, Runaways, Cloak & Dagger and Inhumans were originally marketed in relation to the MCU to differing degrees. Later reuse of actors and characters — and Disney's placement of the Defenders titles in its MCU timeline — strengthens some links, but canon status and exact event compatibility remain disputed; the data records connections, not a binary verdict.
The original trilogy, the Wolverine films, the prequel line, Deadpool, Logan and The New Mutants form their own branched continuity. Days of Future Past reset the timeline from within, and later MCU contact via Deadpool & Wolverine is a multiverse/legacy bridge, not a retroactive conversion of every Fox film into the MCU's native timeline.
Raimi's Spider-Man, the Amazing Spider-Man duology, Sony's Venom-led universe and the animated Spider-Verse are distinct continuities. No Way Home creates a multiverse crossover with Raimi and Webb characters; Venom: Let There Be Carnage's credits scene creates a brief SSU–MCU bridge. The network keeps these as bridges, not mergers.
Sequel-series families and shared animated universes appear only where edge evidence supports them. Many animated adaptations are standalone reinterpretations of the same heroes; Big Hero 6's film, series, shorts and Baymax! form their own adaptation family rather than the MCU, and LEGO specials and comedic shorts are generally separate stylized continuities.
Shorts and specials act as bridges, epilogues, character spotlights or promotional variants — the One-Shots and Special Presentations link into the MCU mesh, while promotional shorts often carry a single, explicitly non-canon tie.
| From | To | Relationship | Evidence | Src | Source |
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| Title | Date | Format | Franchise / universe | Src | Source |
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Method: live-web research conducted 2026-08-31 across broad master lists plus MCU, Marvel Television, X-Men, Spider-Man/Sony, animation, shorts and specials searches; titles normalized across variants and relationship claims filtered to concrete narrative links. 254 productions and 340 directed links; sources span official pages, encyclopedias and entertainment reporting. Source count is corroboration within the collected corpus, not a quality score — 203 of 340 links rest on a single source and deserve reader scrutiny. Dates, formats and continuity labels stay blank or "unresolved" where sources did not state them. Documentaries, recap shows, podcasts, games, individual episodes and unreleased projects are excluded; the network does not capture every cameo, easter egg, actor reuse or comics-only relationship.