Web-indexed anthology · 20 August 2026

The trust tag clusters around Metro’s closest collaborators—and three records made it folklore

A broad lyric and music-page scan produced 96 credited song/version rows carrying “If Young Metro don’t trust you, I’m gon’ shoot you” or a close variation. The biggest recurring catalogs are tied to 21 Savage, Future, Metro Boomin and their joint credits; “Right Now,” “Jumpman,” and “Father Stretch My Hands, Pt. 1” trace the phrase from source line to mainstream meme.

indexed song/version rows

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distinct displayed artist credits

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rows with cultural or chart notes

2015

source-line year, “Right Now”

The phrase lives in a collaborative orbit

Rows per displayed artist credit; top 12

Blue = indexed recordings or versions

Three waypoints define its cultural life

Origin

Uncle Murda feat. Future · Right Now

Future delivered the line on the 2015 Metro-produced track; it became the voice clip behind Metro’s tag.

Breakout

Drake & Future · Jumpman

The 2015 single made the tag conspicuous to a mass audience and fixed it in fan memory.

Meme ignition

Kanye West · Father Stretch My Hands, Pt. 1

The 2016 beat drop and “Beautiful morning” juxtaposition spread through Vine-era edits and became a defining pop-culture moment.

What the collection shows

The canonical wording dominates. Most transcriptions differ only in contractions or “you/ya”; a few tracks deliberately truncate, repeat or redirect it.

Versions matter. Chopped, slowed, sped-up, nightcore, remix and mashup editions are retained as separate rows when indexed as distinct releases.

Credits are messy. Search pages alternately credit a record to the lead artist, featured artists, or Metro; the list preserves displayed credits instead of pretending those are separate songs.

“Full” means full within the indexed evidence. Unreleased tracks, lyric-page errors, changing credits and pages absent from search can prevent a provably complete discography.

Anthology, grouped by displayed artist credit

Rows are evidence-led, not a claim that every credit is canonical. Obvious alternate versions remain; duplicate-credit renditions of famous songs are visible so the underlying ambiguity is auditable.

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